Ian ChenGraphic designer based in New York, designing across identities, typography, editorial, and typeface design. Currently at Interbrand. Previously at Gretel, Red Antler, and FCB Chicago. Studied Visual Communication Design at SAIC. Feel free to reach out to request the extended portfolio or explore collaboration opportunities.

CONTACT
@ianchen.8
chenianrz@gmail.com
LinkedIn

EXPERIENCE
Interbrand, 2024 – Now
Gretel, 2023
Red Antler, 2023
FCB Chicago, 2022
Museum 2050, 2021 – 2022

RECOGNITION
Tokyo TDC 2024 Excellent Work
TDC 69 Winner
D&AD New Blood The Portfolios Winner
Young Ones ADC Merit
Graphic Design USA Design Award Winner
Red Dot Award Design Concept Shortlist
Graphis New Talent Annual x2 Silver Award
STA100 Winner
Core77 Design Awards Visual Communication Student Notable

Velotic Software Brand identity, Motion design w/ InterbrandAn industrial software company that builds solutions for manufacturers and improves industrial operations. The brand identity transforms data into dynamic patterns, visualizing new opportunities and the momentum of smarter manufacturing.

New York City FC Brand identity w/ GretelTen years since its founding, New York City FC asked itself what it would take to reach the upper echelons of MLS clubs and New York City teams. Our approach was to develop a visual and verbal identity that embodied the relentless hustle and eclectic spirit of the city.

Poetry Foundation Brand identity, Type designAn independent literary organization dedicated to promoting poetry. The new identity system uses a custom type family inspired by the process of formation and interpretation. The incomplete letterforms represent poetry as an evolving process, inviting readers to explore different meanings and connections.

Nike Running Club Spec campaign design / Art direction / Motion design A spec campaign for Nike Running Club that explores new ways to inspire runners through changing environments and experiences. The campaign addresses the boredom of repetitive running routes by introducing “trailers” for different running destinations, showcasing diverse landscapes mapped through Nike Running Club. I developed the art direction, UI style, campaign video, and digital social content.

Ronald McDonald House Brand identity w/ InterbrandA nonprofit organization providing support for families with children who are ill or injured. The new identity refreshes the brand by building on the heart and house symbols, using warm colors and expressive graphics to create a more caring and optimistic experience.

Shanghai Museum of Glass Brand identity, Type designThe strong industrial and functional architectural design of the Shanghai Glassware Factory has been maintained in its transformation into the Shanghai Museum of Glass. The glass production process inspires the custom typeface that serves as a basis for new visual identity.

Coachella Brand identityAn annual music and arts festival that features musical artists from many genres of music, as well as art installations and sculptures. Colors and the typeface with different variations represent the different types of music genres played at the festival and the audience's reaction to the music, due to Coachella being known for its diverse music genres.

LA Opera Brand identityAn American opera company and one of the largest opera companies in the United States. This brand identity uses the movement of opera as a reference to represent the diversity and youthful spirit of LA Opera. The bright color palette and modern typography strongly evoke beauty, dynamism, and the energetic culture of the LA Opera.

Norma Type designA reverse-contrast condensed sans-serif typeface inspired by city road markings. Designed with a fluid and organic approach, it draws influence from stretched letterforms on the ground seen during everyday walks through the city.

Sorry Mom, I Lied Book designA book I made to document my personal experience studying in the United States. The piece contrasts what I told my parents with what I was actually experiencing—two completely different realities. It explores the tendency to report only what is good while withholding the unpleasant.